The Philips Evnia 27M2N3800A is a game-changer in the world of budget-friendly gaming monitors, offering top-notch performance at an incredibly affordable price. This dual-mode monitor is designed to cater to a wide range of gamers with its 4K and FHD resolutions, boasting a 320Hz refresh rate in Full HD mode and a 160Hz refresh rate in 4K mode.
While other brands like ASUS have premium offerings, Philips has positioned the Evnia 27M2N3800A as a compelling option that provides similar performance at a fraction of the cost.
With the monitor priced at just £279 (roughly $315 excluding VAT), the Evnia 27M2N3800A is a standout in the market. While its competitors can run into the $450 range, Philips delivers high-performance features like dual-mode functionality, allowing users to switch between 4K for cinematic immersion and FHD for fast-paced eSports gaming.
Designed with a 27-inch Fast IPS panel, this monitor ensures sharp, vibrant visuals with a 95% DCI-P3 color gamut and HDR support, making it ideal for both gaming and media consumption. The 0.5ms MPRT and 1ms GtG response times provide smooth gameplay, giving gamers a competitive edge. Plus, its dual HDMI 2.1 ports support uncompressed visuals at up to 48Gbps, ensuring a future-proof connection for next-gen consoles.
But Philips didn’t stop there. The Evnia 27M2N3800A also includes built-in speakers for convenience, along with an ergonomic stand for easy adjustment. All these features make it an excellent choice for gamers looking to upgrade their setup without breaking the bank.
As stated by César Reyes Acosta, Lead Product Manager at MMD: “We’re thrilled to launch the Philips Evnia 27M2N3800A, a powerhouse of high-performance features designed specifically for the gaming community. Dual Mode allows users to get the most out of every genre of game while enjoying thrilling speed and true-to-life visuals. We are committed to delivering future-ready, premium gaming monitors for both performance-driven and immersive gaming experiences to ensure competitive precision and cinematic depth.”